Towards A Dadaist interior

<p>Modern interior design has reached a plateau. Due to the anaesthesia brought about by mass information sharing and the dominance of the image, very little innovation has occurred, stylistically as many designers simply seek to regurgitate each other’s designs instead of treading new ground. Nowhere is this more apparent than in the modern day office; as a program that is deliberately aimed towards productivity and profit, office design has been streamlined to achieve these ends often leading to unpleasant working environments. The study of the Dada movement and one of its key practitioners, Marcel Duchamp, led to a question regarding the possible architectural implications that his work and his subversive manner of working has to offer and if it have any relevance in contemporary practice.  This thesis proposes an alternative to the modern office interior through a detailed investigation into the theory and practices of Marcel Duchamp. It aims to further examine the architectural implications of his work through in depth analysis of his methods using assemblage, as well as his theoretical investigations in perspective and representation. Through these investigations I hope to develop a new design language that simultaneously critiques the modern office interior as well as furthering the research already done into the Dada movement and Architecture.</p>