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The Cinematic Aspects of Electroacoustic Music

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Version 2 2023-09-21, 03:16
Version 1 2022-03-02, 22:52
thesis
posted on 2022-03-02, 22:52 authored by Taylor, Sarah Elizabeth
This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short films, and the narrative and imagic aspects of archival recordings. Additionally, a research report provides commentary on the aesthetic and methodological aspects of the portfolio.

History

Copyright Date

2010-01-01

Date of Award

2010-01-01

Publisher

Te Herenga Waka—Victoria University of Wellington

Rights License

Author Retains All Rights

Degree Discipline

Composition

Degree Grantor

Te Herenga Waka—Victoria University of Wellington

Degree Level

Masters

Degree Name

Master of Music

ANZSRC Type Of Activity code

360499 Performing arts not elsewhere classified

Victoria University of Wellington Item Type

Awarded Research Masters Thesis

Language

en_NZ

Victoria University of Wellington School

New Zealand School of Music

Advisors

McKinnon, Dugal

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    Theses

    Categories

    Keywords

    Electroacoustic musicFilm musicSoundtracksDegree Name: Master of MusicDegree Level: MastersDegree Discipline: CompositionSchool: New Zealand School of Music190499 Performing Arts and Creative Writing not elsewhere classifiedMusic Composition

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    Author Retains Copyright

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