posted on 2025-05-18, 10:48authored byLuke Campbell
<p><strong>The absence of ornamentation in contemporary architecture has resulted in cities dominated by repetitive glass high-rises, lacking cultural identity and emotional engagement. Historically, ornamentation has served as a medium to symbolize values and narrate the stories of various cultures. Its removal not only erases these narratives but also diminishes the human connection to the built environment. This thesis proposes reintroducing ornamentation with a universal theme inspired by nature, appealing to diverse audiences. By abstracting the movement and growth of natural forms, the designs can create stimulating architectural experiences and provoke curiosity about their meaning.</strong></p><p>To achieve this, computational and procedural design tools are employed to generate intricate patterns and structures efficiently, eliminating the need for manual modeling of each surface. These designs are then physically realized through 3D printing techniques. The resulting printed forms can function as moulds for casting structural members or as casings to envelop existing structures. This approach combines the aesthetic and symbolic benefits of ornamentation with modern fabrication methods.</p>
History
Copyright Date
2025-05-18
Date of Award
2025-05-18
Publisher
Te Herenga Waka—Victoria University of Wellington
Rights License
Author Retains Copyright
Degree Discipline
Architecture
Degree Grantor
Te Herenga Waka—Victoria University of Wellington
Degree Level
Masters
Degree Name
Master of Architecture (Professional)
ANZSRC Socio-Economic Outcome code
249999 Other manufacturing not elsewhere classified