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Constructing Contrast: Juxtaposition as a tool for formal construction in my own creative practice, explored through the music of Stravinsky and Donatoni

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thesis
posted on 23.11.2021, 10:12 by Downie, Glen

Juxtaposition and Superimposition are two techniques that I have adopted as a core feature of my creative practice. This exegesis examines the origins of these techniques through the analysis of two 20th century works, Igor Stravinsky’s Symphonies of Wind Instruments (1920/1947) and Franco Donatoni’s Tema (1981), examining how the role all musical parameters, including timbre, pitch, rhythm and gesture, combine to create unique and perceptible shapes which can be purposefully juxtaposed, recombined and shuffled to create musical form. The influence and effect of these compositions is then discussed in relation to an analysis of the major work of my accompanying portfolio: Hot Coals for orchestra (2016/2017), demonstrating how ideas taken from the preceding analyses are developed further, and influence not just the resulting aesthetic, but also the construction and process of composition itself.

History

Copyright Date

01/01/2017

Date of Award

01/01/2017

Publisher

Te Herenga Waka—Victoria University of Wellington

Rights License

Author Retains Copyright

Degree Discipline

Composition

Degree Grantor

Te Herenga Waka—Victoria University of Wellington

Degree Level

Masters

Degree Name

Master of Musical Arts

ANZSRC Type Of Activity code

970119 Expanding Knowledge through Studies of the Creative Arts and Writing

Victoria University of Wellington Item Type

Awarded Research Masters Thesis

Language

en_NZ

Victoria University of Wellington School

New Zealand School of Music

Advisors

Norris, Michael; McKinnon, Dugal