thesis_access.pdf (13.6 MB)
Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar
thesis
posted on 2021-11-23, 11:01 authored by Church, JakeCross-disciplinary in its approach, through the internal frameworks of collaboration, this exegesis explores a series of case studies with non-guitarist composers, documenting the why and how aspects of collaboration in the context of creating new music. The primary focus is on how to translate non-guitarist composers’ ideas effectively onto the guitar: to create music for the guitar which is idiomatic while maintaining compositional integrity.
History
Copyright Date
2017-01-01Date of Award
2017-01-01Publisher
Te Herenga Waka—Victoria University of WellingtonRights License
Author Retains CopyrightDegree Discipline
MusicologyDegree Grantor
Te Herenga Waka—Victoria University of WellingtonDegree Level
MastersDegree Name
Master of Musical ArtsANZSRC Type Of Activity code
3 APPLIED RESEARCHVictoria University of Wellington Item Type
Awarded Research Masters ThesisLanguage
en_NZVictoria University of Wellington School
New Zealand School of MusicAdvisors
Curry, Jane; Cannady, Kimberly; Riseley, MartinUsage metrics
Keywords
GuitarCollaborationComposititionNew Zealand musicNon-guitarist composersGuitarist performerPerformanceSchool: New Zealand School of Music190407 Music Performance190409 Musicology and Ethnomusicology970119 Expanding Knowledge through Studies of the Creative Arts and WritingDegree Discipline: MusicDegree Discipline: Musical ArtsDegree Discipline: MusicologyDegree Level: MastersDegree Name: Master of Musical ArtsMusic PerformanceMusicology and Ethnomusicology