This essay examines the use of trickster imagination and the appropriations of trickster mythology by
writers from formerly colonised countries as a rich and relevant arsenal of material for their project of
cultural transformation and critique. It shows the trickster figure as an ambivalent image and discusses
the functions of laughter in trickster imagination.
History
Preferred citation
Buettner, A. (2014). Mocking and farting: trickster imagination and the origins of laughter. Kunapipi: journal of postcolonial writing. https://ro.uow.edu.au/kunapipi/vol31/iss2/11